Although some would say these sounds are a little too heavy for the dance floor, tonight it all works well with frantic lighting and a huge amount of smoke. There are clear influences from the genres of jungle, metal and rock which all contribute to the overall heavy sound that Downlink aims to create. His music is incomparable to contemporaries as he takes the genre of dance, spins it on its head and throws it out to the crowds who are unsure if to jump or mosh to it. Sean Casavant is far better known internationally by his stage name Downlink and he is fast becoming one of the most highly recommended performers on the drum and bass circuit.
DOWNLINK AND EXCISION HOW TO
He just seemed to intuitively know how to make the most dramatic and entertaining set. I have never seen a DJ command a crowd of people in that way. I had the most fun I have ever had dancing that night. It's hard not to enjoy yourself when someone else is enjoying themselves so much. Most importantly, we had fun in that space because he had fun. It was impossible not to dance in that space actually. I felt like I was in the middle of a rave.Įveryone was dancing frenetically. I mean it was really crazy to hear those pounding beats while the bright lights were flashing on and off.
He seemed to be the type of guy who would still be DJ'ing even if no one ever wanted to listen to his creations again. He was a dynamic, dramatic performer like waving his hands everywhere, constantly calling out to the audience, melding the tracks into each other like he was a magician. His music was like nothing I had ever heard. He started off the performance warning the audience that was he about to play some crazy futuristic bass beats for us, and he definitely did not disappoint. I just happened to see him in a club one night with a group of my friends. He plays nightclubs more frequently than traditional music venues and is often spotted at huge electronic music festivals like Valhalla and Shambhala.ĭownlink is a genius. He has swept across the dance floors in multiple countries, continuing wowing audiences with his intense and counterintuitive sound design. While Downlink’s studio releases provide a generally good idea of what this artist is about, there is no comparisons to his live performances. That track was released in 2010 as well as his 2nd studio EP “Emergency”, which was put out through Rottun Recordings.ĭownlink stuck with Rottun Recordings for a while and in 2011 issued two split singles with Vaski: “Biohazard/Zombie Apocalypse” and “The Scientist/Brennenberg”, a solo single: “Factory/Yeah” and 2 split releases with Excision: “Existence EP” and “Crowd Control”. Through the label EX7 he released another split single, this time with Excision. This track was also released as a single through Substruck Records and featured “Moonrock Badman” as the b-side. It established him as the “filth lord” of the dubstep genre and included a guest appearance from Datsik (specifically on the track “Against the Machines”). It comes to very little surprise that he is just as likely to cite heavy metal artists like Korn as an influence as he is rave upstarts like STS9.ĭownlink’s 1st “official” release, the 6 track EP “Ignition” came out on 18 November 2009. His music does not shy away from old-school hip-hop beats or cascades of downtempo soundscapes however, the bulk of his material veers toward overdriven mayhem. His early sound owes much to Jungle & DnB styles, but as he fine-tuned his style he started to operate on the abrasive/subatomic side of those genres. By 2009 he started to release music professionally under his stage name Downlink. A native of Kelowna, British Columbia, Canada, Sean Casavant became entangled in the dubstep scene in 2007.
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